Portfolio
clients & partnerships
Forest Collective - Artistic Director and Chair of the volunteer administration committee - 2009 - present
Australian National Academy of Music (ANAM) - Marketing Manager, June 2023 - present
Editor of quarterly magazine Music Makers
Victorian Opera - Content Producer, 2021 - June 2023; Ticketing Consultant, 2019
Australian Chamber Orchestra - Marketing Assistant, 2016 - 2017
Musica Viva - Post Concert in-conversation host, 2015
Manager of advertising partnerships
Qantas Magazine
Sirap videographers
Studio Brave design firm
Plakkitt street posters and flyers
The Saturday Paper and The Monthly
National Trust Magazine
Limelight Magazine
CutCommon
3MBS
2MBS
Eastside Radio
Freelance writer and concert reviewer
CutCommon
Australian Music Centre
Limelight Magazine
Classic Melbourne
written PUBLICATIONS
Australian National Academy Of music (ANAM)
Victorian opera
forest collective
limelight magazine
Australian Music Centre
campaigns
Australian National Academy Of music (ANAM)
$30, 000 advertising campaign for the Australian National Academy of Music (ANAM) in the Qantas Magazine, 2024.
Growth of first time buyers and member engagement at the Australian National Academy of Music (ANAM) during my period of employment.
ANAM Orchestra gala concert with Asher Fisch
November, 2024 - March, 2025
Victorian Opera
2020 - 2023
Video production for the 2023 season
labyrinth
November - February, 2025
organic and paid Social media
Copy
Stone. Sweat. Fear. From deep within – a low, strange moan.
This is a place of terror. Of sacrifice. Of reckoning.
This is the Labyrinth.
In the haunting corridors beneath Abbotsford Convent, Forest Collective presents a reimagining of their highly successful dance-opera-piano concerto.
Through this immersive theatrical experience, you will descend into the labyrinth of Greek myth, witnessing first-hand the ordeal of Theseus, Ariadne and her half-brother, the Minotaur.
Evan J Lawson’s music and Daniel Szesiong Todd’s libretto confront themes of shame, isolation and redemption, while maverick Melbourne pianist Danaë Killian gives powerful voice to the work’s dramatically-embedded piano concerto. Ashley Dougan’s visceral, yet lyrical choreography and the vision of director Cathy Hunt bring a desperate humanity to this epic tale.