Some visions of Bali
I was fortunate enough to take a week off, and enjoy some slow times on the beautiful island of Bali.
My dance-opera-piano concerto Labyrinth has been nominated for a number of Green Room Awards!
Read MoreProgram note for my duo the present makes relevant the past
Read MoreProgram note for my trio Sequenza and Song
Read MoreProgram note for my trio Sikinnis II
Read MoreProgram note for my quintet Circe and the Ballad of Melierax
Read MoreProgram note for my concerto-grosso Sun Cycles
Read MoreProgram note for my quartet Tides
Read MoreProgram note for my chamber orchestra work Orpheus and the Cave II
Read MoreProgram note for my saxophone quartet Addicated to purity and violence
Read MoreWhat does it mean to care about something? Deeply and truly care about a subject or idea?
Read MoreA musically rich and evocative presentation of the true crime story of Victoria's “amazingly gay bushrangers".
Read MoreMy opera Labyrinth has been nominated for an Australian Art Music Award!
Read MorePhotos from my first performance in Japan.
Read MoreThe word himeros is an ancient Greek term meaning uncontrollable desire. It is also the name of the god who embodies this feeling. Much of my compositional work revolves around Greek myth and ritual, and in this piece, I seek to capture a sense of melancholy and yearning in relation to lust—a theme I have explored in works such as my opera Calypso, the song cycle Ballad of the Crying Satyr, and the double concerto for clarinet and harp, Peane from Hyacinth.
There is a certain beauty and sad irony in experiencing both deep passion and profound pain—feelings that often accompany love or desire, especially from afar. To me, there is something poignant about the distance one feels when attracted to someone: the sense of being both utterly alone and vibrantly alive, emboldened by longing yet rendered timid when acting upon it, and, at times, the quiet shame that follows when feelings are hurt. This piece attempts to capture that state of uncontrollable desire as it exists in the mind—before or without action.
Written for Forest Collective, and premiered by them May, 2016 conducted by the composer at Melbourne Recital Centre.
Now, with a new season ahead, Labyrinth emerges once more, transformed and invigorated for a grander vision.
Read MoreDean Sky-Lucas was one of those amazing friends who 6 months go by, you send each other endless memes and then a you have a flurry of contact. You message to vent about something, or reflect on a memory, which leads to a phone call, that leads to a catch up. And that catch up would lead to mutual bemoaning the world’s ills and lots and lots of laughter.
He was one of those people I thought of often - just small moments thinking “what would Dean make of this” or “I won’t if Dean has ever played this” etc
Dean and I worked together once, and from there it was like an instant connection, like two creative souls seeing eye to eye on the same level.
We plotted and schemed often to try and work together on something, so share that special common ground of pianist and conductor in a rehearsal room. But alas, that opportunity is no longer.
I will always remember with love our times in our little rare opera club during lockdown, where we had some truly memorable moments in the boredom.
I scrolled back in our chat history and came across this, a very typical moment of poetry from Dean.
Vale, you amazing human. 💕
“It is music that brilliantly brings together the diverse worlds that shape us, through ancient stories, through our physical location in the here and now”
Read MoreAs someone who probably spends more time standing around in theatre and concert hall foyers than in my kitchen preparing a nutritious, well-cooked meal, I have been ruminating on the odd, beautiful, and often dull pre-show meals I often have to eat.
Read More